Lisa Waugh with ScreenwritingU offers writers insight on how to determine whether or not your screenplay is good. With wit and humor, she offers six guidelines to think about as you evaluate your work and prepare to release it into the wild as well as warnings as to what can happen if you share your work too soon.
Read the Full Article Here: How to Know If Your Script Doesn’t Suck
Screenwriting is an inspiring, creative, amazing profession with seemingly endless opportunities. However, it can be daunting, especially for the newcomers. There’s a lot to take into account when writing out your movie: the setting, the time period, the genre, which actors will play which characters. The movie business has a lot of moving parts, but unlike writing novels where the novel is the finished product, the screenplay is where the whole journey begins. And that process is often very long and arduous. Stephanie Palmer, author of Good In a Room, provides several infographics to help decipher the screenwriting and process and movie business.
Read the Full Article Here: Screenplay Writing Explained In 7 Infographics
Have you been staring at your computer screen at the blank page as the cursor taunts you with your inability to make it move? Caught yourself doodling on the blank notebook page because the words just. won’t. come. out. Is there a scene you’ve already written but, let’s face it, it’s pure fertilizer. If you have something on the page, you are halfway there. Give yourself a big high five. Don’t worry. Help is on the way! Alex Bloom with Script Magazine offers three “script hacks” on how to fix a broken scene so you can finish the story successfully and be on your way to winning your Oscar.
Read the full article here: SCRIPT HACKS: 3 Kick-Ass Methods To Fix A Broken Screenplay Scene
Ken Miyamoto shares some morsels of inspiration from the brilliant mind of Greta Gerwig, the writer and director of Lady Bird. He shares her insight through a series of interviews with the actress turn writer/director. Here are a few highlights:
- Writing Words that Don’t Look Like They’ve Been Written
- Taking the Time to Prepare Yourself
- Story Structure Is Embedded Within Us All
- You Have to Take the Leap
- Don’t Judge and Dismiss Your Own Writing
- Listen to Your Characters
- Treat Each Character as If They Could Have Their Own Movie About Them
- Great Screenplays Should Be Like Poetry
Read the full article here: Screenwriting Advice From LADY BIRD Writer/Director Greta Gerwig
Every story is different and there are different ways of telling a story. Ken Miyamoto from ScreenCraft discusses ten different story structures that writers can use to structure their screenplays. Yes, sometimes chronological order works best and makes the most sense. Other times, a different approach proves to be more effective or allows the storyteller to be more creative. All successful stories have a structure to them, but by utilizing different methods of structure, writers can create a more visually fascinating and engaging for the audience.
Read full article here: 10 Screenplay Structures That Screenwriters Can Use
Brad Schreiber discusses thirteen common mistakes that screenwriters make, offers insight on how writers can spot those mistakes and provides advice on how to fix them.
Read full article: https://www.writersstore.com/13-things-bad-screenwriters-commonly-do/
Creating complicated stories doesn’t need to be complicated. Ken Miyamoto with ScreenCraft breaks down complicated story plots and offers advice on the best way writers can create the complicated stories. He uses films such as “Pulp Fiction”, “Memento”, and “The Sixth Sense” to illustrate the discussion.
Read full article here: 7 Simple Ways to Craft Complicated Plots in Screenplays
Fun fact: writing is hard. Very hard. Sarah Cool shares a video from writing coach Stephanie Newell that discusses useful advice for writers. This is geared specifically towards prose and novel writers, but her advice is equally useful to screenwriters.
See full article with video here: 12 Tips For Every Writer
Michael Schlif with The Script Lab discusses the three key characters in a film. Schlif refers to them as the top trio: the shadow, the ghost, and the idol.
Read the full article here: Symbolic: Top Trio
2017 Sundance Screenwriting Fellow Edson Oda discusses vulnerability and how it can empower you creatively as writer and filmmaker.
Read the full article here: EXPLORING THE POWER OF VULNERABILITY IN SCREENWRITING