Lisa Waugh with ScreenwritingU offers writers insight on how to determine whether or not your screenplay is good. With wit and humor, she offers six guidelines to think about as you evaluate your work and prepare to release it into the wild as well as warnings as to what can happen if you share your work too soon.
Read the Full Article Here: How to Know If Your Script Doesn’t Suck
Have you been staring at your computer screen at the blank page as the cursor taunts you with your inability to make it move? Caught yourself doodling on the blank notebook page because the words just. won’t. come. out. Is there a scene you’ve already written but, let’s face it, it’s pure fertilizer. If you have something on the page, you are halfway there. Give yourself a big high five. Don’t worry. Help is on the way! Alex Bloom with Script Magazine offers three “script hacks” on how to fix a broken scene so you can finish the story successfully and be on your way to winning your Oscar.
Read the full article here: SCRIPT HACKS: 3 Kick-Ass Methods To Fix A Broken Screenplay Scene
Every story is different and there are different ways of telling a story. Ken Miyamoto from ScreenCraft discusses ten different story structures that writers can use to structure their screenplays. Yes, sometimes chronological order works best and makes the most sense. Other times, a different approach proves to be more effective or allows the storyteller to be more creative. All successful stories have a structure to them, but by utilizing different methods of structure, writers can create a more visually fascinating and engaging for the audience.
Read full article here: 10 Screenplay Structures That Screenwriters Can Use
Creating complicated stories doesn’t need to be complicated. Ken Miyamoto with ScreenCraft breaks down complicated story plots and offers advice on the best way writers can create the complicated stories. He uses films such as “Pulp Fiction”, “Memento”, and “The Sixth Sense” to illustrate the discussion.
Read full article here: 7 Simple Ways to Craft Complicated Plots in Screenplays
Sarah Cool shares Overall Adventures insights on a thing called stream of consciousness writing. What it is is simply sitting down with a journal or at a computer and literally writing everything that comes through your head as it comes to you. They explain the benefits of using this technique of writing and how it can help you create the world you want in your head and on paper, but can also help you solve problems in your real world.
Full article and video here: Stream Of Consciousness Writing
Michael Schlif with The Script Lab discusses the three key characters in a film. Schlif refers to them as the top trio: the shadow, the ghost, and the idol.
Read the full article here: Symbolic: Top Trio
2017 Sundance Screenwriting Fellow Edson Oda discusses vulnerability and how it can empower you creatively as writer and filmmaker.
Read the full article here: EXPLORING THE POWER OF VULNERABILITY IN SCREENWRITING
Ken Miyamoto from ScreenCraft breaks down the Disney film Zootopia to extract and discuss three big lessons for screenwriters to use in their stories.
Read full article here: Three Screenwriting Lessons that Disney’s “Zootopia” Can Teach Screenwriters
Shanee Edwards uses the film The Nice Guys to provide five helpful screenwriting insight for writing a buddy-cop movie.
Read full article here: The Nice Guys: 5 Tips for writing a buddy-cop movie
Indie Film Academy provides an interesting technique for getting your screenplay finished: reverse engineering. That’s a simple way of saying work backward. This may help you get over that seemingly impossible bump in the road or give you a new way to look at the writing process. Give a whirl and see how it works for you. Happy writing!
Read full article here: Reverse Engineering Your Screenplay