Teresa Warner discusses her experience with attending graduate film school and how it impacted her life. As a graduate film student myself, I can say that I agree with her and share her sentiment that I also found myself in graduate school. But I don’t want to spoil the article!
Read her full story here: STORY BROADS: What Graduate School Taught Me About Screenwriting, Hollywood, and Myself
Naomi Beaty with ScreenCraft offers three tricks to help you get your screenplay done. Time and motivation are hard to come by sometimes, so you have to be creative about how you keep yourself from getting jaded.
Read the full article here: Trick Yourself Into Writing Your Screenplay
Ken Miyamoto with ScreenCraft discusses the MacGuffin, what it is, and how to properly use it to tell your story as effectively as possible. He uses films such as James Bond, Indiana Jones, and Citizen Kane to illustrate how the MacGuffin can be an effective storytelling tool and add conflict to the story.
Read the full article here: How Screenwriters Can Master the MacGuffin
Every story is different and there are different ways of telling a story. Ken Miyamoto from ScreenCraft discusses ten different story structures that writers can use to structure their screenplays. Yes, sometimes chronological order works best and makes the most sense. Other times, a different approach proves to be more effective or allows the storyteller to be more creative. All successful stories have a structure to them, but by utilizing different methods of structure, writers can create a more visually fascinating and engaging for the audience.
Read full article here: 10 Screenplay Structures That Screenwriters Can Use
Spielberg is an icon and a legend for good reason. Shanee Edwards with ScreenwritingU Magazine dissects the film to study seven story tricks screenwriters can use when creating children’s films.
Read the full article here: Spielberg gets all Spielbergian on The BFG: 7 great story tricks we learned from the cinematic giant
Michael Schlif with The Script Lab discusses the three key characters in a film. Schlif refers to them as the top trio: the shadow, the ghost, and the idol.
Read the full article here: Symbolic: Top Trio
Ken Biller and Noah Pink talk with Ramona Zacharias about writing the new biographical series on Albert Einstein and how they, with director Ron Howard, wanted to make this different from the standard biographical show. The new series on now airing on National Geographic.
Read full interview here: A deep dive into character: Ken Biller and Noah Pink on Genius
The incredible Bryan Cranston opens up about ambition, his craft, and how everyone should be “open to receiving luck” when it comes their way.
“Luck is what happens when preparation meets opportunity.” – Seneca
Watch the full video here: Bryan Cranston on craft, ambition and being “open to receive luck”
Vicky Hinault with Story Broads uses her delightful brand of humor and wit to deliver insight on how to deal with feedback. Every profession requires that you be receptive to feedback in some way, shape, or form; but it’s especially important in the creative world. Don’t worry, Quentin Tarantino still gets notes.
STORY BROADS: 6 Top Tips for Dealing with Feedback
Scott Meyers breaks down the Academy-award winning script of “The Social Network” to discuss the narrative framework and how that can propel your story in a strong direction.
Read the full article here: Screenwriting Lessons: “The Social Network” — Part 2: Narrative Framework