Teresa Warner discusses her experience with attending graduate film school and how it impacted her life. As a graduate film student myself, I can say that I agree with her and share her sentiment that I also found myself in graduate school. But I don’t want to spoil the article!
Read her full story here: STORY BROADS: What Graduate School Taught Me About Screenwriting, Hollywood, and Myself
Naomi Beaty with ScreenCraft offers three tricks to help you get your screenplay done. Time and motivation are hard to come by sometimes, so you have to be creative about how you keep yourself from getting jaded.
Read the full article here: Trick Yourself Into Writing Your Screenplay
Ken Miyamoto with ScreenCraft discusses the MacGuffin, what it is, and how to properly use it to tell your story as effectively as possible. He uses films such as James Bond, Indiana Jones, and Citizen Kane to illustrate how the MacGuffin can be an effective storytelling tool and add conflict to the story.
Read the full article here: How Screenwriters Can Master the MacGuffin
Every story is different and there are different ways of telling a story. Ken Miyamoto from ScreenCraft discusses ten different story structures that writers can use to structure their screenplays. Yes, sometimes chronological order works best and makes the most sense. Other times, a different approach proves to be more effective or allows the storyteller to be more creative. All successful stories have a structure to them, but by utilizing different methods of structure, writers can create a more visually fascinating and engaging for the audience.
Read full article here: 10 Screenplay Structures That Screenwriters Can Use
Michael Schlif with The Script Lab discusses the three key characters in a film. Schlif refers to them as the top trio: the shadow, the ghost, and the idol.
Read the full article here: Symbolic: Top Trio
Vicky Hinault with Story Broads uses her delightful brand of humor and wit to deliver insight on how to deal with feedback. Every profession requires that you be receptive to feedback in some way, shape, or form; but it’s especially important in the creative world. Don’t worry, Quentin Tarantino still gets notes.
STORY BROADS: 6 Top Tips for Dealing with Feedback
Scott Meyers breaks down the Academy-award winning script of “The Social Network” to discuss the narrative framework and how that can propel your story in a strong direction.
Read the full article here: Screenwriting Lessons: “The Social Network” — Part 2: Narrative Framework
John Bucher with LA Screenwriter extracts five storytelling lessons from the work of the legendary Bill Murray. He uses examples from films such as Ghostbusters, Lost in Translation, Groundhog Day, St. Vincent, and Rock the Kasbah to help illustrate each point. And seriously, who doesn’t love Bill Murray?
Read full article here: 5 Storytelling Lessons from Bill Murray
Pippa Bianco with the Sundance Directors Lab discusses the difference between a short film and a feature film and how they both have their own challenges and how those challenges help you grow as an artist.
Sundance Directors Lab 2016: Pippa Bianco on the Differences Between a Short and a Feature
Patty Jenkins became a household name with the 2017 release of the box office annihilating film Wonder Woman. Here are six pieces of advice from the record-breaking director herself.
Read full article here: 6 Filmmaking Tips from ‘Wonder Woman’ Director Patty Jenkins