As screenwriters, we get rejected a lot. If you haven’t, you’re either very lucky, or very new at this. Submitting your work and having it ignored (if you’re lucky) or ripped apart (if you’re not), doesn’t have to be the end of the world. Learning from rejection is a time-honored rite of passage for all aspiring creators. Harry Potter was rejected by publishers a solid twelve times, sometimes with harsh words, before our favorite boy wizard inspired seven books, eight films, and three theme parks.
If your pitch, story, or screenplay is turned down, congratulations! You thought of something, made it, and showed it to someone else. That is something to be commended and celebrated. Use this time to pat yourself on the back for being brave, but also use it as a time to see where you went wrong. Improve your structure, take another look at the dialogue, tweak and tighten, so that when you submit it again (which you definitely will), it’ll be that much harder to turn down.
And while you may be discouraged, take heart in the fact that some of our favorite movies of all time were passed over before finding their way to the big screen. See some shocking examples here, watch Brian Grazer’s words of encouragement here, and share in the comments something you’ve learned from rejection.
This summer, the students in the Hollins University Graduate Screenwriting & Film Studies video production class will release a seven-episode web series, called Failure to Adult, that was written, directed, and edited by Hollins University students. The writing took place during the spring semester prior and the filming of all seven episodes took place during the six-week summer session. It really is impressive what was accomplished in that time frame.
As a member of this class, I was incredibly excited to learn the filmmaking process from start to finish and script to screen as a new writer and filmmaker (I can say that now!). It was wonderful to learn each phase of the filmmaking process and how each phase brings its own set of challenges. We had six weeks to cast, shoot, edit, and premiere the web series. In order to do this successfully, we really had to work together and take on our own unique roles outside of rotating between the crew positions of Director, 1st Assistant Director (1st AD, the person who manages the set), Sound, Gaffer (the person in charge of the lights), props master/craft services (free food!), Director of Photography (DP), and Script Supervisor (scripty). While some of us hunted locations another corresponded with actors while somebody else organized all of our necessary information so we could all stay on the same page. It was a whirlwind of a process, but we are happy about the outcome. The coolest (and most terrifying) feeling was sitting in a room with peers and friends as we watched and laughed at the show we created. We got some strong feedback and are hopeful about how it will be received.
Feel free to check out the series and share it with people you know. It will officially launch in September on Vimeo and YouTube. Stay tuned!
Click here to see more details: Failure to Adult: Official Facebook Page
Press from NPR: Hollins Program Cranks Out Hopeful Filmmakers
The folks at Film Courage sat down with Markus Redmond to discuss his professional journey how he broke into Hollywood as both an actor and as a writer. For those incredibly ambitious folks, pin this and watch it. Enjoy 🙂
Have additional insight? Feel free to comment, discuss, and share.
See the full interview here: How I Broke Into Acting and Screenwriting in Hollywood – Markus Redmond [FULL INTERVIEW]
Teresa Warner discusses her experience with attending graduate film school and how it impacted her life. As a graduate film student myself, I can say that I agree with her and share her sentiment that I also found myself in graduate school. But I don’t want to spoil the article!
Read her full story here: STORY BROADS: What Graduate School Taught Me About Screenwriting, Hollywood, and Myself
Paula Schwartz with MovieMaker magazine sat down with Linus Sandgren to discuss the behind the scenes details about how he and director Damien Chazelle directed and filmed everything in La La Land.
Read the full article here: The Camera is a Dancer: DP Linus Sandgren Walks Us Through How He and Damien Chazelle Shot La La Land
Ken Miyamoto with ScreenCraft discusses the MacGuffin, what it is, and how to properly use it to tell your story as effectively as possible. He uses films such as James Bond, Indiana Jones, and Citizen Kane to illustrate how the MacGuffin can be an effective storytelling tool and add conflict to the story.
Read the full article here: How Screenwriters Can Master the MacGuffin
Still don’t believe in Cinderella stories? Still don’t think crazy dreams come true? Well, think again. Liz Hannah’s first screenplay, The Post, was directed by Spielberg, starred Tom Hanks and Meryl Streep, was nominated for Golden Globes, and now is nominated for Academy Awards. Amy Nicholson of the Washington Post discusses the story behind the film’s birth.
read the full article here: How a writer defied ‘one in a million’ odds to get her first movie made by Steven Spielberg
Jamie Irvine at Backstage provides an expansive reading list of books and plays to help actors perfect their technique and craft. Whether you’re a writer or an actor, reading preexisting material such as books, plays or screenplays, is essential to your development and growth as an artist and these books and plays listed are worthy of adding to your current list.
Read the full article here: The Ultimate Reading List for Actors
Sarah Cool shares Overall Adventures insights on a thing called stream of consciousness writing. What it is is simply sitting down with a journal or at a computer and literally writing everything that comes through your head as it comes to you. They explain the benefits of using this technique of writing and how it can help you create the world you want in your head and on paper, but can also help you solve problems in your real world.
Full article and video here: Stream Of Consciousness Writing
Ken Miyamoto at ScreenCraft shares his thoughts on how to use music to enhance your screenplays and stories. He uses several films as examples to illustrate the power of music and how it can add that extra layer to the story for the audience.
Full article here: How to Use Music to Write Better Screenplays
*In other news, this is our 200th post!! Thanks for tagging along. Here’s to the next 200 🙂