Ken Miyamoto with ScreenCraft discusses the MacGuffin, what it is, and how to properly use it to tell your story as effectively as possible. He uses films such as James Bond, Indiana Jones, and Citizen Kane to illustrate how the MacGuffin can be an effective storytelling tool and add conflict to the story.
Read the full article here: How Screenwriters Can Master the MacGuffin
Filmmaker Magazine provides and incredible script to screen analysis that uses commentary from an interview with Francis Ford Coppola. It is definitely worth watching.
Full video here: Watch: “The Godfather: Solozzo’s Death – Script to Screen Analysis”
Ken Miyamoto at ScreenCraft sat down with Jim Uhls to offer insight on writing, original work versus an adaptation, how to interview your characters, making both the analytical and intuitive sides of your brain to work together, tricks for pitch meetings, and how to handle that unavoidable demon known as writer’s block.
Read full article and watch full interview here: Screenwriting Wisdom from the Screenwriter Behind “Fight Club”
Angela Watercutter at Wired magazine discusses the “Bechdel Test”, a simple three question test to gauge the level of gender bias (towards females in particular) that a film or story has. Watercutter goes a step farther and introduces what she calls the “Jane test”. The name is inspired by Natalie Portman’s character Jane Foster in the MCU’s Thor films. Following the lead of script reader and producer Ross Putnam, who began posting female character descriptions in scripts on Twitter, she adds three additional questions to consider. The point of the test is to evaluate how female characters are portrayed, not just onscreen, but on paper in the initial script so that female characters can be given the multi-dimensional qualities they deserve.
Read full article here: The “Jane” Test
Hollywood producers sat down with the folks at ScreenCraft to give five secrets on how to get your scripts read and noticed by people in the business.
Click the link below to read and watch more.
Five Ways to Get Your Script Read