As screenwriters, we get rejected a lot. If you haven’t, you’re either very lucky, or very new at this. Submitting your work and having it ignored (if you’re lucky) or ripped apart (if you’re not), doesn’t have to be the end of the world. Learning from rejection is a time-honored rite of passage for all aspiring creators. Harry Potter was rejected by publishers a solid twelve times, sometimes with harsh words, before our favorite boy wizard inspired seven books, eight films, and three theme parks.
If your pitch, story, or screenplay is turned down, congratulations! You thought of something, made it, and showed it to someone else. That is something to be commended and celebrated. Use this time to pat yourself on the back for being brave, but also use it as a time to see where you went wrong. Improve your structure, take another look at the dialogue, tweak and tighten, so that when you submit it again (which you definitely will), it’ll be that much harder to turn down.
And while you may be discouraged, take heart in the fact that some of our favorite movies of all time were passed over before finding their way to the big screen. See some shocking examples here, watch Brian Grazer’s words of encouragement here, and share in the comments something you’ve learned from rejection.
This summer, the students in the Hollins University Graduate Screenwriting & Film Studies video production class will release a seven-episode web series, called Failure to Adult, that was written, directed, and edited by Hollins University students. The writing took place during the spring semester prior and the filming of all seven episodes took place during the six-week summer session. It really is impressive what was accomplished in that time frame.
As a member of this class, I was incredibly excited to learn the filmmaking process from start to finish and script to screen as a new writer and filmmaker (I can say that now!). It was wonderful to learn each phase of the filmmaking process and how each phase brings its own set of challenges. We had six weeks to cast, shoot, edit, and premiere the web series. In order to do this successfully, we really had to work together and take on our own unique roles outside of rotating between the crew positions of Director, 1st Assistant Director (1st AD, the person who manages the set), Sound, Gaffer (the person in charge of the lights), props master/craft services (free food!), Director of Photography (DP), and Script Supervisor (scripty). While some of us hunted locations another corresponded with actors while somebody else organized all of our necessary information so we could all stay on the same page. It was a whirlwind of a process, but we are happy about the outcome. The coolest (and most terrifying) feeling was sitting in a room with peers and friends as we watched and laughed at the show we created. We got some strong feedback and are hopeful about how it will be received.
Feel free to check out the series and share it with people you know. It will officially launch in September on Vimeo and YouTube. Stay tuned!
Click here to see more details: Failure to Adult: Official Facebook Page
Press from NPR: Hollins Program Cranks Out Hopeful Filmmakers
The folks at Film Courage sat down with Markus Redmond to discuss his professional journey how he broke into Hollywood as both an actor and as a writer. For those incredibly ambitious folks, pin this and watch it. Enjoy 🙂
Have additional insight? Feel free to comment, discuss, and share.
See the full interview here: How I Broke Into Acting and Screenwriting in Hollywood – Markus Redmond [FULL INTERVIEW]
Naomi Beaty with ScreenCraft offers three tricks to help you get your screenplay done. Time and motivation are hard to come by sometimes, so you have to be creative about how you keep yourself from getting jaded.
Read the full article here: Trick Yourself Into Writing Your Screenplay
The folks at ScreenCraft discuss the location of a screenplay and how it works as a character to a story. Films such as Fatal Attraction, The Fugitive, In the War of the Roses, and The Woodsman are used as examples to explain just how location plays a role in bringing your story to life and how it completes your story onscreen.
Read the full article here: Do Your Locations Have Character?
Hollins University professor Joe Gilford’s play, Finks, has made it’s Califonia debut at the Mountain View Center for Performing Arts. The show opened on June 14 and runs until July 1, 2018. Congratulations Joe! Your Hollins family is very proud of you.
Have you seen the show? Let us know in the comments below 🙂
See show details here: FINKS
Have you been staring at your computer screen at the blank page as the cursor taunts you with your inability to make it move? Caught yourself doodling on the blank notebook page because the words just. won’t. come. out. Is there a scene you’ve already written but, let’s face it, it’s pure fertilizer. If you have something on the page, you are halfway there. Give yourself a big high five. Don’t worry. Help is on the way! Alex Bloom with Script Magazine offers three “script hacks” on how to fix a broken scene so you can finish the story successfully and be on your way to winning your Oscar.
Read the full article here: SCRIPT HACKS: 3 Kick-Ass Methods To Fix A Broken Screenplay Scene
Writing requires a tremendous amount of work and that work often happens in phases. If you were to look at the first drafts of Hamilton or Harry Potter, they would look undeniably different from their final products. First, you brainstorm. Then you create outlines about your story, the characters, the plot, and every other detail imaginable. Writers do this several times in several different ways. Then they write the first of many drafts. Ken Miyamoto with ScreenCraft discusses the difference between outlines, treatments, and scriptments and how each of them is important to the story development process.
Read the full article here: Outlines, Treatments, and Scriptments, Oh My!
Ken Miyamoto with ScreenCraft discusses the MacGuffin, what it is, and how to properly use it to tell your story as effectively as possible. He uses films such as James Bond, Indiana Jones, and Citizen Kane to illustrate how the MacGuffin can be an effective storytelling tool and add conflict to the story.
Read the full article here: How Screenwriters Can Master the MacGuffin
Ken Miyamoto from ScreenCraft discusses common misconceptions about Hollywood, debunks the myths, and discusses the changes that the industry has experienced.
Read full article here: Top 5 Misconceptions Novice Screenwriters Have About Hollywood