Are you an aspiring screenwriter? Do you want to hone your craft? Are you super cheap and want free help? Then today is your lucky day. Over the past 10 weeks, NoFilmSchool.com has been posting free seminars to help you write your script page by page.
Take a look HERE for 10 weeks (or 100 pages) worth of free help and advice from some people who know what they’re talking about.
We’re advised to read as much as we can and then write twice as much. Reading scripts and screenwriting books is definitely important, but we should look for inspiration in everything: from poetry and fan fiction to op-ed’s and biographies. This article from 1996 about David Lynch’s creative process from The NY Times has recently resurfaced. Take a look to get a small glimpse into a creative mind and maybe even find some inspiration for yourself.
NY Times and David Lynch
We’ve all had it, we all hate it. If you’ve ever stared at a blinking cursor on your screen, or at a stack of empty note cards, or off into the abyss and thought, “I’ve got nothing,” know that you’re not alone. Even the greats find themselves in creative and motivational funks. But just because things may seem difficult or bleak, doesn’t mean that there isn’t a way out.
Here’s a concise and action-centered list of things to do to shake off the gloom and get back into the swing of things. It also has a handy list of things that do NOT help with writer’s block (like reading and writing articles about writer’s block, whoops!).
But as every article, blog, and well-meaning professor or mentor will tell you, the only true way to get through the writer’s block is by simply writing. Writing crap, writing nonsense, writing something terrible and confusing and so off that it’s cringe-worthy. It doesn’t matter what you’re writing, so long as you actually do it. So stop dragging your feet, stop expecting perfection or inspiration or ease, and just write already!
How have you dealt with your creative blocks? Share any helpful tips or encouraging stories in the comments.
You’ve brainstormed a concept, you’ve outlined and rearranged, you’ve written, rewritten, and then rewritten again, and you’ve got yourself a daggum screenplay. Congratulations! First, take a second to pat yourself on the back. Everyone’s got an idea for a movie, but very few people actually finish what they start. Once you’re done being proud of yourself, that sinking feeling sets in and you ask yourself this horrifying question: “what do I do now?”
There are countless ways to “break into the business” which can somehow make it seem more difficult to accomplish. But if you’re starting from scratch, the next best step is to get your query letter together.
A query letter in today’s world is an email with a casual introduction, a killer logline, and a polite sign off. That’s it. Take a look at this helpful article from ScreenCraft about how to construct the perfect query letter.
The folks at Film Courage sat down with Markus Redmond to discuss his professional journey how he broke into Hollywood as both an actor and as a writer. For those incredibly ambitious folks, pin this and watch it. Enjoy 🙂
Have additional insight? Feel free to comment, discuss, and share.
See the full interview here: How I Broke Into Acting and Screenwriting in Hollywood – Markus Redmond [FULL INTERVIEW]
Scott Myers discusses the difference between writing scripts and writing screenplays, and what to do when your more familiar with one but want to switch to the other. His answer: do both. He also discusses the challenges and advantages of each side of the writing spectrum.
Have thoughts about this or have additional insight on the subject? Feel free to comment and discuss in the comments 🙂
Read the full article here: Reader Question: What’s the biggest challenge novelists face when switching to screenwriting?
Teresa Warner discusses her experience with attending graduate film school and how it impacted her life. As a graduate film student myself, I can say that I agree with her and share her sentiment that I also found myself in graduate school. But I don’t want to spoil the article!
Read her full story here: STORY BROADS: What Graduate School Taught Me About Screenwriting, Hollywood, and Myself
Naomi Beaty with ScreenCraft offers three tricks to help you get your screenplay done. Time and motivation are hard to come by sometimes, so you have to be creative about how you keep yourself from getting jaded.
Read the full article here: Trick Yourself Into Writing Your Screenplay
Christopher Campbell from Film School Rejects gathers and shares six pieces of filmmaking advice from British filmmaker Ben Wheatley. As creatives, we find inspiration from many people, places, events, and things. Here’s more insight into how one successful filmmaker gets work done. Use your inspiration wisely 🙂
Read the full article here: 6 Filmmaking Tips from Ben Wheatley
The folks at ScreenCraft discuss the location of a screenplay and how it works as a character to a story. Films such as Fatal Attraction, The Fugitive, In the War of the Roses, and The Woodsman are used as examples to explain just how location plays a role in bringing your story to life and how it completes your story onscreen.
Read the full article here: Do Your Locations Have Character?