Learn How to Take Creative Risk

Lauren Sapala with Screenwriting U Magazine discusses the importance of taking a creative risk. She includes an activity that writers can use to help them overcome fears and anxieties about the possible outcome of their work. Once you can overcome those, then the magic can happen 🙂

Read the full article here: Want to Be the Next Big Screenwriter? Why You’ve Got to Learn How to Take Creative Risk

Writing the Buddy-Cop Movie

Shanee Edwards uses the film The Nice Guys to provide five helpful screenwriting insight for writing a buddy-cop movie.

Read full article here: The Nice Guys: 5 Tips for writing a buddy-cop movie

Reverse Engineering Your Screenplay

Indie Film Academy provides an interesting technique for getting your screenplay finished: reverse engineering. That’s a simple way of saying work backward. This may help you get over that seemingly impossible bump in the road or give you a new way to look at the writing process. Give a whirl and see how it works for you. Happy writing!

Read full article here: Reverse Engineering Your Screenplay

5 Ways You Can Determine If Your Script Is Done

One of the biggest mysteries for a creative person: is my work done? Well, Ken Miyamoto with ScreenCraft created a handy list to help you determine if and when your script is done, and what steps come next.

Read the full article here: 5 Ways You Can Determine If Your Script Is Done

Screenwriting 101: Ava DuVernay

Scott Myers shares some words of inspiration and encouragement from Ava DuVernay.

Read full article here: Screenwriting 101: Ava DuVernay

Screenwriting Lessons: “The Social Network” — Part 2: Narrative Framework

Scott Meyers breaks down the Academy-award winning script of “The Social Network” to discuss the narrative framework and how that can propel your story in a strong direction.

Read the full article here: Screenwriting Lessons: “The Social Network” — Part 2: Narrative Framework

Interview (Part 2): Stephanie Shannon

Scott Myers sat down with 2013 Nicholl fellowship winner Stephanie Shannon to discuss her journey as a screenwriter.

Interview (Part 2): Stephanie Shannon

WHAT MAKES SCREENPLAY DIALOGUE GREAT?

Hal Croasmun at ScreenwritingU discusses the four characteristics that make great dialogue in a screenplay. He uses Aaron Sorkin’s The American President as a model for the discussion.

WHAT MAKES SCREENPLAY DIALOGUE GREAT?