Ken Miyamoto shares some morsels of inspiration from the brilliant mind of Greta Gerwig, the writer and director of Lady Bird. He shares her insight through a series of interviews with the actress turn writer/director. Here are a few highlights:
- Writing Words that Don’t Look Like They’ve Been Written
- Taking the Time to Prepare Yourself
- Story Structure Is Embedded Within Us All
- You Have to Take the Leap
- Don’t Judge and Dismiss Your Own Writing
- Listen to Your Characters
- Treat Each Character as If They Could Have Their Own Movie About Them
- Great Screenplays Should Be Like Poetry
Read the full article here: Screenwriting Advice From LADY BIRD Writer/Director Greta Gerwig
Writing requires a tremendous amount of work and that work often happens in phases. If you were to look at the first drafts of Hamilton or Harry Potter, they would look undeniably different from their final products. First, you brainstorm. Then you create outlines about your story, the characters, the plot, and every other detail imaginable. Writers do this several times in several different ways. Then they write the first of many drafts. Ken Miyamoto with ScreenCraft discusses the difference between outlines, treatments, and scriptments and how each of them is important to the story development process.
Read the full article here: Outlines, Treatments, and Scriptments, Oh My!
Attention Actors!! Tax season is upon us. It’s never really a fun subject to discuss, but it is very important piece of the business side of being an actor. So to help, Angela Anderson at Backstage compiled a guide to filing taxes as a working actor. Yes, working as an actor and in the field of entertainment is such fun work, but there are some serious and boring aspects of it, but those serious and boring things are very important to take care of.
Read the full article here: The Actors’ Guide to Filing Taxes
Ken Miyamoto with ScreenCraft discusses the MacGuffin, what it is, and how to properly use it to tell your story as effectively as possible. He uses films such as James Bond, Indiana Jones, and Citizen Kane to illustrate how the MacGuffin can be an effective storytelling tool and add conflict to the story.
Read the full article here: How Screenwriters Can Master the MacGuffin
Ken Miyamoto from ScreenCraft discusses common misconceptions about Hollywood, debunks the myths, and discusses the changes that the industry has experienced.
Read full article here: Top 5 Misconceptions Novice Screenwriters Have About Hollywood
Every story is different and there are different ways of telling a story. Ken Miyamoto from ScreenCraft discusses ten different story structures that writers can use to structure their screenplays. Yes, sometimes chronological order works best and makes the most sense. Other times, a different approach proves to be more effective or allows the storyteller to be more creative. All successful stories have a structure to them, but by utilizing different methods of structure, writers can create a more visually fascinating and engaging for the audience.
Read full article here: 10 Screenplay Structures That Screenwriters Can Use
Getting ready for an audition? Want to know what will impress the casting directors? Well, your friend, Amanda Florian, at Backstage has compiled advice from fourteen casting directors as to what you can do to knock their socks off. Break a leg!
Read full article here: 14 Casting Directors on How to Impress in the Audition Room
Brad Schreiber discusses thirteen common mistakes that screenwriters make, offers insight on how writers can spot those mistakes and provides advice on how to fix them.
Read full article: https://www.writersstore.com/13-things-bad-screenwriters-commonly-do/
Still don’t believe in Cinderella stories? Still don’t think crazy dreams come true? Well, think again. Liz Hannah’s first screenplay, The Post, was directed by Spielberg, starred Tom Hanks and Meryl Streep, was nominated for Golden Globes, and now is nominated for Academy Awards. Amy Nicholson of the Washington Post discusses the story behind the film’s birth.
read the full article here: How a writer defied ‘one in a million’ odds to get her first movie made by Steven Spielberg
Creating complicated stories doesn’t need to be complicated. Ken Miyamoto with ScreenCraft breaks down complicated story plots and offers advice on the best way writers can create the complicated stories. He uses films such as “Pulp Fiction”, “Memento”, and “The Sixth Sense” to illustrate the discussion.
Read full article here: 7 Simple Ways to Craft Complicated Plots in Screenplays