Paula Schwartz with MovieMaker magazine sat down with Linus Sandgren to discuss the behind the scenes details about how he and director Damien Chazelle directed and filmed everything in La La Land.
Read the full article here: The Camera is a Dancer: DP Linus Sandgren Walks Us Through How He and Damien Chazelle Shot La La Land
The folks at ScreenCraft discuss the location of a screenplay and how it works as a character to a story. Films such as Fatal Attraction, The Fugitive, In the War of the Roses, and The Woodsman are used as examples to explain just how location plays a role in bringing your story to life and how it completes your story onscreen.
Read the full article here: Do Your Locations Have Character?
Stephanie Forshee with Backstage provides some insight and guidance to budding and aspiring film directors. She answers every question such as what does a film director really do, how to get started, and how to find your artistic style as a director. She discusses several examples of how some of the most famous directors got their start. She reminds readers of one truth of the business: everyone’s path is different
Read the Full Article Here: How to Become a Film Director
Have you been staring at your computer screen at the blank page as the cursor taunts you with your inability to make it move? Caught yourself doodling on the blank notebook page because the words just. won’t. come. out. Is there a scene you’ve already written but, let’s face it, it’s pure fertilizer. If you have something on the page, you are halfway there. Give yourself a big high five. Don’t worry. Help is on the way! Alex Bloom with Script Magazine offers three “script hacks” on how to fix a broken scene so you can finish the story successfully and be on your way to winning your Oscar.
Read the full article here: SCRIPT HACKS: 3 Kick-Ass Methods To Fix A Broken Screenplay Scene
Spielberg is an icon and a legend for good reason. Shanee Edwards with ScreenwritingU Magazine dissects the film to study seven story tricks screenwriters can use when creating children’s films.
Read the full article here: Spielberg gets all Spielbergian on The BFG: 7 great story tricks we learned from the cinematic giant
Ken Miyamoto from ScreenCraft breaks down the Disney film Zootopia to extract and discuss three big lessons for screenwriters to use in their stories.
Read full article here: Three Screenwriting Lessons that Disney’s “Zootopia” Can Teach Screenwriters
This is arguably one of the best things I’ve ever run into. One writer did something quite clever and brilliant, instead of asking for photos with the renowned creators they met, they collected pieces of advice written on a notecard. That collection of notecards has been compiled into a website full of words or wisdom, encouragement, and necessary butt-kickings from the creators of your favorite work. Read up and get inspired. And don’t forget to eat lunch 🙂
See full website here: Their Writing Cards
Christopher Osterndorf with Script Lab uses the summer 2017 film Baby Driver as a model to discuss how to incorporate music into your screenplays.
Read full article here: Screenwriting 101: How to Incorporate Music in your Screenplay
Have you ever wondered what a key grip does or why there’s a need for boom operator? This video will help explain exactly what everyone on a film set does. And the reason the credits list is so long is because it takes LOTS of someones to make a film.
Watch This Video Explaining What Everyone in The Movie Credits Actually Does
Meredith Alloway talks with Filmmaker Magazine and other filmmakers about what to do when the film is all done.
Read the full article here: I’ve Made a Film. I’m Exhausted. Now What?