Ken Miyamoto shares some morsels of inspiration from the brilliant mind of Greta Gerwig, the writer and director of Lady Bird. He shares her insight through a series of interviews with the actress turn writer/director. Here are a few highlights:
- Writing Words that Don’t Look Like They’ve Been Written
- Taking the Time to Prepare Yourself
- Story Structure Is Embedded Within Us All
- You Have to Take the Leap
- Don’t Judge and Dismiss Your Own Writing
- Listen to Your Characters
- Treat Each Character as If They Could Have Their Own Movie About Them
- Great Screenplays Should Be Like Poetry
Read the full article here: Screenwriting Advice From LADY BIRD Writer/Director Greta Gerwig
Writing requires a tremendous amount of work and that work often happens in phases. If you were to look at the first drafts of Hamilton or Harry Potter, they would look undeniably different from their final products. First, you brainstorm. Then you create outlines about your story, the characters, the plot, and every other detail imaginable. Writers do this several times in several different ways. Then they write the first of many drafts. Ken Miyamoto with ScreenCraft discusses the difference between outlines, treatments, and scriptments and how each of them is important to the story development process.
Read the full article here: Outlines, Treatments, and Scriptments, Oh My!
Ken Miyamoto with ScreenCraft discusses the MacGuffin, what it is, and how to properly use it to tell your story as effectively as possible. He uses films such as James Bond, Indiana Jones, and Citizen Kane to illustrate how the MacGuffin can be an effective storytelling tool and add conflict to the story.
Read the full article here: How Screenwriters Can Master the MacGuffin
Ken Miyamoto from ScreenCraft discusses common misconceptions about Hollywood, debunks the myths, and discusses the changes that the industry has experienced.
Read full article here: Top 5 Misconceptions Novice Screenwriters Have About Hollywood
Every story is different and there are different ways of telling a story. Ken Miyamoto from ScreenCraft discusses ten different story structures that writers can use to structure their screenplays. Yes, sometimes chronological order works best and makes the most sense. Other times, a different approach proves to be more effective or allows the storyteller to be more creative. All successful stories have a structure to them, but by utilizing different methods of structure, writers can create a more visually fascinating and engaging for the audience.
Read full article here: 10 Screenplay Structures That Screenwriters Can Use
Creating complicated stories doesn’t need to be complicated. Ken Miyamoto with ScreenCraft breaks down complicated story plots and offers advice on the best way writers can create the complicated stories. He uses films such as “Pulp Fiction”, “Memento”, and “The Sixth Sense” to illustrate the discussion.
Read full article here: 7 Simple Ways to Craft Complicated Plots in Screenplays
Ken Miyamoto at ScreenCraft shares his thoughts on how to use music to enhance your screenplays and stories. He uses several films as examples to illustrate the power of music and how it can add that extra layer to the story for the audience.
Full article here: How to Use Music to Write Better Screenplays
*In other news, this is our 200th post!! Thanks for tagging along. Here’s to the next 200 🙂
Ken Miyamoto from ScreenCraft provides a checklist for screenwriters to use to perfect the final drafts of their screenplays. Consider these guidelines for a well-polished and ready script for readers.
Click here for full article: The Ultimate Final Draft Checklist for Screenwriters
Ken Miyamoto from ScreenCraft breaks down the Disney film Zootopia to extract and discuss three big lessons for screenwriters to use in their stories.
Read full article here: Three Screenwriting Lessons that Disney’s “Zootopia” Can Teach Screenwriters
Most writers are familiar with the Hero’s Journey and could use it to map out just about any story – on screen or in print. But a new age is flourishing in storytelling, especially in film: the Heroine’s Journey. Ken Miyamoto at ScreenCraft discusses the heroine’s journey and how it differs from the traditional hero’s journey.
Why Screenwriters Should Embrace The Heroine’s Journey