Ken Miyamoto shares some morsels of inspiration from the brilliant mind of Greta Gerwig, the writer and director of Lady Bird. He shares her insight through a series of interviews with the actress turn writer/director. Here are a few highlights:
- Writing Words that Don’t Look Like They’ve Been Written
- Taking the Time to Prepare Yourself
- Story Structure Is Embedded Within Us All
- You Have to Take the Leap
- Don’t Judge and Dismiss Your Own Writing
- Listen to Your Characters
- Treat Each Character as If They Could Have Their Own Movie About Them
- Great Screenplays Should Be Like Poetry
Read the full article here: Screenwriting Advice From LADY BIRD Writer/Director Greta Gerwig
Getting ready for an audition? Want to know what will impress the casting directors? Well, your friend, Amanda Florian, at Backstage has compiled advice from fourteen casting directors as to what you can do to knock their socks off. Break a leg!
Read full article here: 14 Casting Directors on How to Impress in the Audition Room
This is arguably one of the best things I’ve ever run into. One writer did something quite clever and brilliant, instead of asking for photos with the renowned creators they met, they collected pieces of advice written on a notecard. That collection of notecards has been compiled into a website full of words or wisdom, encouragement, and necessary butt-kickings from the creators of your favorite work. Read up and get inspired. And don’t forget to eat lunch 🙂
See full website here: Their Writing Cards
Thom Geier at The Wrap discusses the State of New York’s new initiative to promote women in the film industry by offering $5 million dollars in incentives to have women and minorities hired in more prominent roles such as writers and directors. Let’s see if other states can follow that lead.
New York Approves $5 Million in Incentives to Hire Women, Minorities as TV Writers and Directors
Pippa Bianco with the Sundance Directors Lab discusses the difference between a short film and a feature film and how they both have their own challenges and how those challenges help you grow as an artist.
Sundance Directors Lab 2016: Pippa Bianco on the Differences Between a Short and a Feature