Thirteen Common Mistakes and How to Avoid Them

Brad Schreiber discusses thirteen common mistakes that screenwriters make, offers insight on how writers can spot those mistakes and provides advice on how to fix them.

Read full article: https://www.writersstore.com/13-things-bad-screenwriters-commonly-do/

What is Stream of Consciousness Writing?

Sarah Cool shares Overall Adventures insights on a thing called stream of consciousness writing. What it is is simply sitting down with a journal or at a computer and literally writing everything that comes through your head as it comes to you. They explain the benefits of using this technique of writing and how it can help you create the world you want in your head and on paper, but can also help you solve problems in your real world.

Full article and video here: Stream Of Consciousness Writing

How Greta Gerwig Found “Lady Bird”

Owen Gleiberman with Variety magazine sat down with Greta Gerwig and Saoirse Ronan to discuss the highly-acclaimed film “Lady Bird” and how the two collaborated to bring this story to life.

Read full article here: Greta Gerwig and Saoirse Ronan on How They Found the Voice of ‘Lady Bird’

Twelve Tips for Writers

Fun fact: writing is hard. Very hard. Sarah Cool shares a video from writing coach Stephanie Newell that discusses useful advice for writers. This is geared specifically towards prose and novel writers, but her advice is equally useful to screenwriters.

See full article with video here: 12 Tips For Every Writer

Time for New Tests

Right now Hollywood is going through a massive shift in recognizing its lack of diversity both in front of and behind the camera, and efforts are being made to make stories where people of frequently underrepresented demographics such as women, people of color, members of the LGBTQ community are represented as strong, human characters and not merely personifications of stereotypes.

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Read the full article here: The Next Bechdel Test

WHAT MAKES SCREENPLAY DIALOGUE GREAT?

Hal Croasmun at ScreenwritingU discusses the four characteristics that make great dialogue in a screenplay. He uses Aaron Sorkin’s The American President as a model for the discussion.

WHAT MAKES SCREENPLAY DIALOGUE GREAT?