How to Become an Actor Later in Life

It seems like the only to be successful in the world sometimes is to start your career when your ten, especially if you aspire to work in the entertainment industry. Sometimes we settle on a career because we think that’s all we can do. Sometimes there’s that one dream that won’t leave us be until we actively decide to pursue it. Sometimes, we don’t decide it’s time to pursue that dream until much later in life. Well, Stephanie Forshee with Backstage offers insight on how to pursue your ambitions of becoming an actor for those who decide to pursue acting at an older age.

It’s never too late to chase your dreams.

Read full article here: How to Become an Actor Later in Life

Outlines, Treatments, and Scriptments: What’s the Difference?

Writing requires a tremendous amount of work and that work often happens in phases. If you were to look at the first drafts of Hamilton or Harry Potter, they would look undeniably different from their final products. First, you brainstorm. Then you create outlines about your story, the characters, the plot, and every other detail imaginable. Writers do this several times in several different ways. Then they write the first of many drafts. Ken Miyamoto with ScreenCraft discusses the difference between outlines, treatments, and scriptments and how each of them is important to the story development process.

Read the full article here: Outlines, Treatments, and Scriptments, Oh My!

Taxes for Actors

Attention Actors!! Tax season is upon us. It’s never really a fun subject to discuss, but it is very important piece of the business side of being an actor. So to help, Angela Anderson at Backstage compiled a guide to filing taxes as a working actor. Yes, working as an actor and in the field of entertainment is such fun work, but there are some serious and boring aspects of it, but those serious and boring things are very important to take care of.

Read the full article here: The Actors’ Guide to Filing Taxes

Thirteen Common Mistakes and How to Avoid Them

Brad Schreiber discusses thirteen common mistakes that screenwriters make, offers insight on how writers can spot those mistakes and provides advice on how to fix them.

Read full article: https://www.writersstore.com/13-things-bad-screenwriters-commonly-do/

What is Stream of Consciousness Writing?

Sarah Cool shares Overall Adventures insights on a thing called stream of consciousness writing. What it is is simply sitting down with a journal or at a computer and literally writing everything that comes through your head as it comes to you. They explain the benefits of using this technique of writing and how it can help you create the world you want in your head and on paper, but can also help you solve problems in your real world.

Full article and video here: Stream Of Consciousness Writing

How Greta Gerwig Found “Lady Bird”

Owen Gleiberman with Variety magazine sat down with Greta Gerwig and Saoirse Ronan to discuss the highly-acclaimed film “Lady Bird” and how the two collaborated to bring this story to life.

Read full article here: Greta Gerwig and Saoirse Ronan on How They Found the Voice of ‘Lady Bird’

Twelve Tips for Writers

Fun fact: writing is hard. Very hard. Sarah Cool shares a video from writing coach Stephanie Newell that discusses useful advice for writers. This is geared specifically towards prose and novel writers, but her advice is equally useful to screenwriters.

See full article with video here: 12 Tips For Every Writer

Time for New Tests

Right now Hollywood is going through a massive shift in recognizing its lack of diversity both in front of and behind the camera, and efforts are being made to make stories where people of frequently underrepresented demographics such as women, people of color, members of the LGBTQ community are represented as strong, human characters and not merely personifications of stereotypes.

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Read the full article here: The Next Bechdel Test

WHAT MAKES SCREENPLAY DIALOGUE GREAT?

Hal Croasmun at ScreenwritingU discusses the four characteristics that make great dialogue in a screenplay. He uses Aaron Sorkin’s The American President as a model for the discussion.

WHAT MAKES SCREENPLAY DIALOGUE GREAT?