“Filmmaking is a collective assemblage of desires,” – Isabelle Huppert
Hillary Weston from the Criterion Collection sat down with French film legend Isabelle Huppert to discuss her career, her chemistry with other actors and how you can tell you have that chemistry, and how movies can have such an emotional power over people.
Read the full article here: Isabelle Huppert on the Emotional Power of Cinema
Teresa Warner discusses her experience with attending graduate film school and how it impacted her life. As a graduate film student myself, I can say that I agree with her and share her sentiment that I also found myself in graduate school. But I don’t want to spoil the article!
Read her full story here: STORY BROADS: What Graduate School Taught Me About Screenwriting, Hollywood, and Myself
Brianne Hogan with Creative Screenwriting sat down with Lisa Robinson and Annie J. Howell to discuss their project, Claire in Motion, as well as how directors can learn from their actors, and their writing process.
Read the full article here: Shared Inspiration: Claire in Motion
Lisa Waugh with ScreenwritingU offers writers insight on how to determine whether or not your screenplay is good. With wit and humor, she offers six guidelines to think about as you evaluate your work and prepare to release it into the wild as well as warnings as to what can happen if you share your work too soon.
Read the Full Article Here: How to Know If Your Script Doesn’t Suck
Screenwriting is an inspiring, creative, amazing profession with seemingly endless opportunities. However, it can be daunting, especially for the newcomers. There’s a lot to take into account when writing out your movie: the setting, the time period, the genre, which actors will play which characters. The movie business has a lot of moving parts, but unlike writing novels where the novel is the finished product, the screenplay is where the whole journey begins. And that process is often very long and arduous. Stephanie Palmer, author of Good In a Room, provides several infographics to help decipher the screenwriting and process and movie business.
Read the Full Article Here: Screenplay Writing Explained In 7 Infographics
Ken Miyamoto shares some morsels of inspiration from the brilliant mind of Greta Gerwig, the writer and director of Lady Bird. He shares her insight through a series of interviews with the actress turn writer/director. Here are a few highlights:
- Writing Words that Don’t Look Like They’ve Been Written
- Taking the Time to Prepare Yourself
- Story Structure Is Embedded Within Us All
- You Have to Take the Leap
- Don’t Judge and Dismiss Your Own Writing
- Listen to Your Characters
- Treat Each Character as If They Could Have Their Own Movie About Them
- Great Screenplays Should Be Like Poetry
Read the full article here: Screenwriting Advice From LADY BIRD Writer/Director Greta Gerwig
Hunter Harris at Vulture shares a Vimeo clip of Greta Gerwig directing onset of “Lady Bird”. It’s always inspiring and fascinating to watch the behind-the-scenes work of anything that gets created. This video shares a small glimpse into the behind-the-scenes world of one of the most beloved films of the year.
See full article here: Warm Your Icy, Jaded Heart With This Video of Greta Gerwig Directing Lady Bird
Still don’t believe in Cinderella stories? Still don’t think crazy dreams come true? Well, think again. Liz Hannah’s first screenplay, The Post, was directed by Spielberg, starred Tom Hanks and Meryl Streep, was nominated for Golden Globes, and now is nominated for Academy Awards. Amy Nicholson of the Washington Post discusses the story behind the film’s birth.
read the full article here: How a writer defied ‘one in a million’ odds to get her first movie made by Steven Spielberg
Owen Gleiberman with Variety magazine sat down with Greta Gerwig and Saoirse Ronan to discuss the highly-acclaimed film “Lady Bird” and how the two collaborated to bring this story to life.
Read full article here: Greta Gerwig and Saoirse Ronan on How They Found the Voice of ‘Lady Bird’
Right now Hollywood is going through a massive shift in recognizing its lack of diversity both in front of and behind the camera, and efforts are being made to make stories where people of frequently underrepresented demographics such as women, people of color, members of the LGBTQ community are represented as strong, human characters and not merely personifications of stereotypes.
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Read the full article here: The Next Bechdel Test