Naomi Beaty with ScreenCraft offers three tricks to help you get your screenplay done. Time and motivation are hard to come by sometimes, so you have to be creative about how you keep yourself from getting jaded.
Read the full article here: Trick Yourself Into Writing Your Screenplay
The folks at ScreenCraft discuss the location of a screenplay and how it works as a character to a story. Films such as Fatal Attraction, The Fugitive, In the War of the Roses, and The Woodsman are used as examples to explain just how location plays a role in bringing your story to life and how it completes your story onscreen.
Read the full article here: Do Your Locations Have Character?
Lisa Waugh with ScreenwritingU offers writers insight on how to determine whether or not your screenplay is good. With wit and humor, she offers six guidelines to think about as you evaluate your work and prepare to release it into the wild as well as warnings as to what can happen if you share your work too soon.
Read the Full Article Here: How to Know If Your Script Doesn’t Suck
Screenwriting is an inspiring, creative, amazing profession with seemingly endless opportunities. However, it can be daunting, especially for the newcomers. There’s a lot to take into account when writing out your movie: the setting, the time period, the genre, which actors will play which characters. The movie business has a lot of moving parts, but unlike writing novels where the novel is the finished product, the screenplay is where the whole journey begins. And that process is often very long and arduous. Stephanie Palmer, author of Good In a Room, provides several infographics to help decipher the screenwriting and process and movie business.
Read the Full Article Here: Screenplay Writing Explained In 7 Infographics
Have you been staring at your computer screen at the blank page as the cursor taunts you with your inability to make it move? Caught yourself doodling on the blank notebook page because the words just. won’t. come. out. Is there a scene you’ve already written but, let’s face it, it’s pure fertilizer. If you have something on the page, you are halfway there. Give yourself a big high five. Don’t worry. Help is on the way! Alex Bloom with Script Magazine offers three “script hacks” on how to fix a broken scene so you can finish the story successfully and be on your way to winning your Oscar.
Read the full article here: SCRIPT HACKS: 3 Kick-Ass Methods To Fix A Broken Screenplay Scene
Writing requires a tremendous amount of work and that work often happens in phases. If you were to look at the first drafts of Hamilton or Harry Potter, they would look undeniably different from their final products. First, you brainstorm. Then you create outlines about your story, the characters, the plot, and every other detail imaginable. Writers do this several times in several different ways. Then they write the first of many drafts. Ken Miyamoto with ScreenCraft discusses the difference between outlines, treatments, and scriptments and how each of them is important to the story development process.
Read the full article here: Outlines, Treatments, and Scriptments, Oh My!
Ken Miyamoto with ScreenCraft discusses the MacGuffin, what it is, and how to properly use it to tell your story as effectively as possible. He uses films such as James Bond, Indiana Jones, and Citizen Kane to illustrate how the MacGuffin can be an effective storytelling tool and add conflict to the story.
Read the full article here: How Screenwriters Can Master the MacGuffin
Every story is different and there are different ways of telling a story. Ken Miyamoto from ScreenCraft discusses ten different story structures that writers can use to structure their screenplays. Yes, sometimes chronological order works best and makes the most sense. Other times, a different approach proves to be more effective or allows the storyteller to be more creative. All successful stories have a structure to them, but by utilizing different methods of structure, writers can create a more visually fascinating and engaging for the audience.
Read full article here: 10 Screenplay Structures That Screenwriters Can Use
Brad Schreiber discusses thirteen common mistakes that screenwriters make, offers insight on how writers can spot those mistakes and provides advice on how to fix them.
Read full article: https://www.writersstore.com/13-things-bad-screenwriters-commonly-do/
Creating complicated stories doesn’t need to be complicated. Ken Miyamoto with ScreenCraft breaks down complicated story plots and offers advice on the best way writers can create the complicated stories. He uses films such as “Pulp Fiction”, “Memento”, and “The Sixth Sense” to illustrate the discussion.
Read full article here: 7 Simple Ways to Craft Complicated Plots in Screenplays