We’re advised to read as much as we can and then write twice as much. Reading scripts and screenwriting books is definitely important, but we should look for inspiration in everything: from poetry and fan fiction to op-ed’s and biographies. This article from 1996 about David Lynch’s creative process from The NY Times has recently resurfaced. Take a look to get a small glimpse into a creative mind and maybe even find some inspiration for yourself.
NY Times and David Lynch
But seriously, you are. It’s a hard thing to try to get better at something so subjective and difficult to measure, but I promise, you’re doing great! ScreenCraft agrees. They’ve put together this handy checklist to occasionally measure yourself up to. Even the best screenwriters deal with rejection and feelings of inadequacy because there’s not a simple way of knowing that you’re actually getting better. But if you’re looking for some positive validation that all of your hard work is paying off and making you a better screenwriter, here it is:
Any tips on how you keep yourself in check and stay motivated to keep working? Please share them here. We could all use a little support.
We’ve all had it, we all hate it. If you’ve ever stared at a blinking cursor on your screen, or at a stack of empty note cards, or off into the abyss and thought, “I’ve got nothing,” know that you’re not alone. Even the greats find themselves in creative and motivational funks. But just because things may seem difficult or bleak, doesn’t mean that there isn’t a way out.
Here’s a concise and action-centered list of things to do to shake off the gloom and get back into the swing of things. It also has a handy list of things that do NOT help with writer’s block (like reading and writing articles about writer’s block, whoops!).
But as every article, blog, and well-meaning professor or mentor will tell you, the only true way to get through the writer’s block is by simply writing. Writing crap, writing nonsense, writing something terrible and confusing and so off that it’s cringe-worthy. It doesn’t matter what you’re writing, so long as you actually do it. So stop dragging your feet, stop expecting perfection or inspiration or ease, and just write already!
How have you dealt with your creative blocks? Share any helpful tips or encouraging stories in the comments.
You’ve brainstormed a concept, you’ve outlined and rearranged, you’ve written, rewritten, and then rewritten again, and you’ve got yourself a daggum screenplay. Congratulations! First, take a second to pat yourself on the back. Everyone’s got an idea for a movie, but very few people actually finish what they start. Once you’re done being proud of yourself, that sinking feeling sets in and you ask yourself this horrifying question: “what do I do now?”
There are countless ways to “break into the business” which can somehow make it seem more difficult to accomplish. But if you’re starting from scratch, the next best step is to get your query letter together.
A query letter in today’s world is an email with a casual introduction, a killer logline, and a polite sign off. That’s it. Take a look at this helpful article from ScreenCraft about how to construct the perfect query letter.
As screenwriters, we get rejected a lot. If you haven’t, you’re either very lucky, or very new at this. Submitting your work and having it ignored (if you’re lucky) or ripped apart (if you’re not), doesn’t have to be the end of the world. Learning from rejection is a time-honored rite of passage for all aspiring creators. Harry Potter was rejected by publishers a solid twelve times, sometimes with harsh words, before our favorite boy wizard inspired seven books, eight films, and three theme parks.
If your pitch, story, or screenplay is turned down, congratulations! You thought of something, made it, and showed it to someone else. That is something to be commended and celebrated. Use this time to pat yourself on the back for being brave, but also use it as a time to see where you went wrong. Improve your structure, take another look at the dialogue, tweak and tighten, so that when you submit it again (which you definitely will), it’ll be that much harder to turn down.
And while you may be discouraged, take heart in the fact that some of our favorite movies of all time were passed over before finding their way to the big screen. See some shocking examples here, watch Brian Grazer’s words of encouragement here, and share in the comments something you’ve learned from rejection.
This summer, the students in the Hollins University Graduate Screenwriting & Film Studies video production class will release a seven-episode web series, called Failure to Adult, that was written, directed, and edited by Hollins University students. The writing took place during the spring semester prior and the filming of all seven episodes took place during the six-week summer session. It really is impressive what was accomplished in that time frame.
As a member of this class, I was incredibly excited to learn the filmmaking process from start to finish and script to screen as a new writer and filmmaker (I can say that now!). It was wonderful to learn each phase of the filmmaking process and how each phase brings its own set of challenges. We had six weeks to cast, shoot, edit, and premiere the web series. In order to do this successfully, we really had to work together and take on our own unique roles outside of rotating between the crew positions of Director, 1st Assistant Director (1st AD, the person who manages the set), Sound, Gaffer (the person in charge of the lights), props master/craft services (free food!), Director of Photography (DP), and Script Supervisor (scripty). While some of us hunted locations another corresponded with actors while somebody else organized all of our necessary information so we could all stay on the same page. It was a whirlwind of a process, but we are happy about the outcome. The coolest (and most terrifying) feeling was sitting in a room with peers and friends as we watched and laughed at the show we created. We got some strong feedback and are hopeful about how it will be received.
Feel free to check out the series and share it with people you know. It will officially launch in September on Vimeo and YouTube. Stay tuned!
Click here to see more details: Failure to Adult: Official Facebook Page
Press from NPR: Hollins Program Cranks Out Hopeful Filmmakers
Jacob N. Stuart, the Founder of Screenwriting Staffing, provides advice and guidance on how to create a screenwriter’s resume. He provides “12 Overview Points” about the who, what, when, why, and how about the information your writer’s resume needs to become gainfully employed as a writer in the business.
Read the full article here: A “HOW TO” GUIDE FOR WRITING THE “SCREENWRITER’S RESUME”
Naomi Beaty with ScreenCraft offers three tricks to help you get your screenplay done. Time and motivation are hard to come by sometimes, so you have to be creative about how you keep yourself from getting jaded.
Read the full article here: Trick Yourself Into Writing Your Screenplay
The folks at ScreenCraft discuss the location of a screenplay and how it works as a character to a story. Films such as Fatal Attraction, The Fugitive, In the War of the Roses, and The Woodsman are used as examples to explain just how location plays a role in bringing your story to life and how it completes your story onscreen.
Read the full article here: Do Your Locations Have Character?
Lisa Waugh with ScreenwritingU offers writers insight on how to determine whether or not your screenplay is good. With wit and humor, she offers six guidelines to think about as you evaluate your work and prepare to release it into the wild as well as warnings as to what can happen if you share your work too soon.
Read the Full Article Here: How to Know If Your Script Doesn’t Suck